Programs

This episode was recorded on May 17th, 2026 at the Culture Center Theater in Charleston, WV. The lineup includes Paul Thorn, Ray Benson, Sunny Sweeney, Andy Friedman. https://bit.ly/4afWiMG⁠

It was the early '80s, the height of the Cold War, when something strange began happening off the coast of Sweden. The navy reported a mysterious sound deep below the surface of the ocean. Again, and again, and again they would hear it near their secret military bases, in their harbors, and up and down the Swedish coastline. After thorough analysis the navy was certain. The sound was an invasion into their waters, an act of war, the opening salvos of a possible nuclear annihilation. Or was it? Today, Annie McEwen pulls us down into a deep-sea mystery, one of international intrigue that asks you to consider the possibility that maybe, just maybe, your deepest beliefs could be as solid as…air. Special thanks to Ben Wilson, Ola Tunander, Hans Gordon, Andreas Timmelstad, Klaus Helmersen, and Meg Bolz. LATERAL CUTS – Atomic Artifacts (https://radiolab.org/podcast/atomic-artifacts) Neither Confirm Nor Deny (https://radiolab.org/podcast/confirm-nor-deny) EPISODE CREDITS: Reported by – Annie McEwin with help from – Magnus Ormstadt Produced by – Annie McEwin, Matt Kielty, Sarah Qari Original music and sound design contributed by – Jeremy Bloom Sign up for our newsletter!! It includes short essays, recommendations, and details about other ways to interact with the show. Signup (https://radiolab.org/newsletter)! Radiolab is supported by listeners like you. Support Radiolab by becoming a member of The Lab (https://members.radiolab.org/) today. Follow our show on Instagram, Twitter and Facebook @radiolab, and share your thoughts with us by emailing radiolab@wnyc.org. Leadership support for Radiolab’s science programming is provided by the Simons Foundation and the John Templeton Foundation. Foundational support for Radiolab was provided by the Alfred P. Sloan Foundation. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this bonus episode, Jim shares a song that ties back to his childhood fascination with the Alamo.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://www.patreon.com/collection/2136865Make a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah  Mobile: sayhi.chat/soundopsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

After teaming up with the Sun to produce a solar eclipse today, the Moon will make another skywatching spectacle possible tonight – the Perseid meteor shower. It’s expected to be at its peak tonight. And since the Moon is new, it won’t be around to interfere with the sparklers. The Perseids occur every August, as Earth flies through the orbital path of Comet Swift-Tuttle. The comet is a ball of frozen gases mixed with bits of rock and metal. As it approaches the Sun, some of its gas vaporizes. That releases some of the heavier material, known as comet dust. As Earth zips through this material, some of the dust grains slam into our atmosphere at more than a hundred thousand miles per hour. They vaporize instantly, creating meteors – streaks of light across the sky. Swift-Tuttle returned to the inner solar system a third of a century ago. That was its first appearance since the Civil War, so the Perseids were especially good for a while. With the comet retreating into the outer solar system, though, there’s less comet dust to feed the shower. The meteors enter the atmosphere from the direction of Perseus – hence the name. But they can streak across any part of the sky, so you don’t have to look to a specific region to see them. To view the Perseids, find a safe, dark observing site away from the pesky glare of city lights. Then watch the sky for cosmic sparklers. Script by Damond Benningfield

It's a special rarities episode featuring deep cuts and unreleased gems. Featured artists include Julieta Venegas, Beastie Boys, Ana Tijoux, Kinky, Juana Molina, Mexican Institute of Sound and more.

We head to some of the happiest places on earth: amusement parks! Ira Glass takes us behind the scenes at Worlds of Fun in Kansas City, where the young staff – coached by a funny, fun-loving boss just a little older than they are – truly seem to love their jobs.   Visit thisamericanlife.org/lifepartners to sign up for our premium subscription.(00:00:00) Prologue: Host Ira Glass walks through a Kansas City Missouri amusement park called Worlds of Fun with Cole Lindbergh, who had a season pass to the park as a little kid, starting working there summers at 14, and then just stayed. Now he's a full-time, year-round employee, running the games department. It's possible he does this job better than anyone in the country. (9 minutes)(00:09:26) Act One: Ira continues with Cole Lindbergh and the teenagers who work for him in the games department at Worlds of Fun. We watch them compete against each other to see who can do the most business. (23 minutes)(00:32:26) Act Two: We asked for your stories about amusement parks. Three hundred of you called in, with stories of fear, floating carnies and, um, vomit. (9 minutes)(00:42:15) Act Three: Jonathan Goldstein returns to Wildwood, New Jersey, where he spent one not-fateful summer when he was sixteen. (13 minutes)Transcripts are available at thisamericanlife.org / This American Life privacy policy. / Learn more about sponsor message choices.