Programs

This episode was recorded on April 3rd, 2026 at the Culture Center Theater in Charleston, WV. The lineup includes Chris Smither, Joan Shelley, Yarn, Calvin Arsenia, Hudost. ⁠https://bit.ly/4vsZEnH

A little while back, our friends over at On the Media released a gripping and immersive reporting series about FEMA, the agency that is supposed to be there for all of us in the wake of disaster. In American Emergency (https://zpr.io/MtrUmJU3yEMW), OTM investigates how the agency tasked with saving America became distrusted, despised… and defunded. Today we talk to On the Media co-host Micah Loewinger about how this project came out, what reporting went into making it happen, and play a couple of fun and truly surprising bits of the story that the OTM team uncovered. And it’s a story that highlights the ideal and promise of good government, right alongside the frustration with bureaucracy and mismanagement, and of course the undercurrent of profound mistrust in governmental power.  As natural disasters are getting more extreme and less predictable, this series makes sense of that tangle, and provides a prescient peek into FEMA’s future. Special thanks to On the Media (https://zpr.io/MtrUmJU3yEMW).  To hear Micah in person, talking more about the complex history of FEMA, join him on June 24th at WNYC's The Greene Space (https://wnyc.org/events/otm-fema). Signup for our newsletter!! It includes short essays, recommendations, and details about other ways to interact with the show. Sign up (https://radiolab.org/newsletter)! Radiolab is supported by listeners like you. Support Radiolab by becoming a member of The Lab (https://members.radiolab.org/) today. Follow our show on Instagram, Twitter and Facebook @radiolab, and share your thoughts with us by emailing radiolab@wnyc.org.Leadership support for Radiolab’s science programming is provided by the Simons Foundation and the John Templeton Foundation. Foundational support for Radiolab was provided by the Alfred P. Sloan Foundation. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this bonus episode, Jim spotlights a beloved blues and soul singer whose name has been in the Sound Opinions conversation since the show's earliest days—going all the way back to episode five.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://www.patreon.com/collection/2136865Make a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah  Mobile: sayhi.chat/soundopsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

As the Moon orbits Earth, its gravitational pull creates the ocean tides. As the “bulge” in the water laps against the continents, it creates drag that slows our planet’s rotation. That increases the length of a day by about 2.4 milliseconds per century. That doesn’t sound like much, but over the eons it adds up. That rate can be affected by big changes in Earth itself, including powerful earthquakes, volcanic eruptions, tropical storms, and more. And over the past few decades, it’s become clear that one of those factors is climate change. As Earth gets warmer, glaciers and polar ice sheets melt, raising sea level. The extra water increases the power of the tides, slowing Earth’s rotation. According to a recent study, that’s extending the day by 1.33 milliseconds per century – the highest rate of change over the past 3.6 million years. And the rate could get even bigger by the end of the century. In fact, climate change could add more to the day than the effects of the Moon itself. As Earth slows down, the Moon moves farther away. Right now, it’s receding at about an inch and a half per year. But climate change could speed things up – pushing the Moon away. The crescent Moon is low in the west at sunset. And it has a bright companion: Venus, the brilliant “evening star.” They drop from sight a couple of hours later. Tomorrow: measuring the age of the universe. Script by Damond Benningfield

This week is an exploration of Blues music, Latino style.  Featured artists include Santana, Los Lonely Boys, Diamante Electrico, Bunbury, Andres Calamaro and many more.

It’s the late 1960s, and a California TV repairman named Bob sees an opportunity to help people cheat death with the new science of cryonics. But freezing dead people isn’t easy. And apologizing for the mistakes you make along the way? Even harder. Visit thisamericanlife.org/lifepartners to sign up for our premium subscription.Prologue: Host Ira Glass talks about the way most political apologies go, and chats with a man named Derek Jones about similar sorts of apologies among preteen girls and King David, in the Old Testament. (7 minutes)Act One: In the late 1960s, a California TV repairman named Bob Nelson joined a group of enthusiasts who believed they could cheat death with a new technology called cryonics. But freezing dead people so scientists can reanimate them in the future is a lot harder than it sounds. Harder still was admitting to the family members of people Bob had frozen that he'd screwed up. Sam Shaw reports. (42 minutes)Act Two: There's a famous William Carlos Williams poem called "This is Just to Say." It's about, among other things, causing a loved one inconvenience and offering a non-apologizing apology. Producer Sean Cole explains that this is possibly the most spoofed poem around. We asked some of our regular contributors to get into the act. Sarah Vowell, David Rakoff, Starlee Kine, Jonathan Goldstein, Shalom Auslander, and Heather O'Neill all came up with their own variations of Williams's classic lines. (7 minutes)Transcripts are available at thisamericanlife.orgThis American Life privacy policy.Learn more about sponsor message choices.